Big Al Whittle

songs about my childhood in Boston Lincs plus Wyatt Earp and my Dad

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songs about my childhood in Boston Lincs plus Wyatt Earp and my Dad
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Play The Grammar School Puppy Dog

 
 
I was  born in 1949 in Boston, Lincolnshire.  By the time I was capable of understanding anything, my Dad, Eric was one of the town detectives on Boston police force.  My parents were both from St Helens in Lancashire.  My mother always felt that Boston was a backwater and never really took to the place.  My father, on the other hand felt that he was bringing us to a more rural and healthy place to grow up
 
They were kind and caring parents and the annual outing to Boston fair was only one of the many treats they provided for me and my sister.

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The Whittle family setting out for a night out together at Boston Mayfair circa 1955

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Susan, my sister and I out on the town Boston Mayfair time

Play The Swimming Pool

 

Swimming Pool

 

As a kid I suppose I was as hard nosed and acquisitive as all kids are.  I shudder to think of the moral pressure exerted on my poor parents to provide me with a television, one equipped to receive the new ITV station.

 

ITV broadcast American shows like Wagon Train and 77 Sunset Strip - and another private eye show - Hawaiian Eye.  This last one featured private eyes who did a lot of their investigating round the swimming pools of big hotels. It was all very exciting and it foretold of that glossy sexy world world of the 1960's, which was just round the corner.  John the Baptist to The Beatles and James Bond's Messianic Text of the good life. It was a vision only a youthful imagination could make rise  up from the freezing cold waters of Skirbeck Road Swimming Baths; replete as it was with dead rats, diseased looking changing huts, and unpainted concrete.

 

In this song I have tried to explain the lyricism of that part of a young life. when awakening sexuality finds it own soundtrack in the pop music of its day. Plus of course the necessary intrusions of reality.

(find the lyrics for this song on the Lyrics page plus there is little more about it in Song Notes)

Grammar School Puppy Dog
 
This song is about the way the social order was reinforced on the citizens of Boston, and how it impinged on our young lives.
 
I think one is always too young or too old to start being unhappy.  Life is such a wonderful gift that there really should be no time for it, and if that's being hopelessly idealistic - then my idealism is perhaps why I am more than a bit hopeless!
(the lyrics for this song are on the Lyrics page, and there is slightly more about it in Song Notes - also on this site)

Play The Ballad of Wyatt Earp

                               Wyatt Earp and My Dad
 
My father, Eric Whittle was born in 1916.  He told me he was born in a house in Fry Street, in the Parr district of St Helens. From his picture , you will observe his very straight hair parting.  His first permanent job on leaving school was a lather boy at Myett's hairdresser's in the centre of St Helens.  He was 14, and the working day was around 12 hours rubbing lather into men's stubbly faces - this was in the days when most respectable chaps went to a barber to be shaved by a cut throat razor. The pay was 7/6d a week.  One of his biggest tippers was the banjo playing legend George Formby when he was gigging the Variety Theatre across the street from Myett's.
 
Whatever musical ability I have, is inherited from my Father's side of the family.  His sister Edith was a classically trained pianist and young Eric grew up to the music of Debussy, which was one of Edith's favourite composers.  Eric was a keen cornet player in his youth, but he was soon made to understand that the job of a man was to work hard and provide.
 
From the age of fourteen, he had to get up at six every morning and go round all the local factories looking for a job.  If there was no job available then he had to go to school.  This usually involved a caning for being late.  Times were really bloody tough and he had malnutrtion and rickets. I imagine the barbershop job with it's small wage seemed something approaching deliverance.  Anyway he worked there and became a qualified men's hairdresser until 1939 when he joined the police force.  He had transferred to the Lincolnshire Constabulary, the old Boston Borough force when he volunteered for military service in WW2.
 
After a disagreement with RAF when he borrowed a tiger moth plane for a bit of fun, he was grounded for a month and in a sulk volunteered for the Irish Guards, who he had heard were recruiting for the paratroops.  However he ended up driving a tank in the Guards Armoured Division.  His tank was called MacGillicuddy Reeks and it was shot from under him five times before he got to park it on an autobahn outside Hamburg after the hostilities. 
 
He was always unwilling to discuss, the killing grounds of France, Holland and Germany.  He said if you were there you knew about it, if you didn't no words, films, photos could express the horror. He came back to Boston police force in 1945 with a wife, a daughter and a head ful of stuff about his war experiences that he never discussed with anybody to my knowledge.
 
It wasn't long before his tough shrewd nature made him a natural for CID work. His work involved tailing Soviet agents, investigating murders, burglaries as well as being a presence around the streets of Boston that trouble makers did well to avoid.  He was always a natural athlete and in his youth he had played for St Helens Rugby League Team - the bad guys soon learned that Eric Whittle could chase after and apprehend any one of them if the fancy took him.
 
However despite many commendations for bravery from Judges, etc - he never got preferrment or promotion in his career.  He was a bit too bolshie - he'd seen too many good friends fall before the guns to take the tinpot discipline of Boston's brasshats very seriously.
 
His time in the Irish Guards left him a lifelong love of Irish music and song.  Also he told me of one day when his unit were pulled out of the line to make a publicity film with Field Marshall Montgomery.  They got all the men up an hour early to practise throwing their berets in the air in delight at meeting the chief. When Monty arrived, as was his wont,  he beckoned his boys to crowd round him like kids, and everybody in the unit just stood there in dumb insolence.
 
After that,  telling the Chief Constable to get stuffed, without so much as saying a word, was pretty much a piece of piss.
 
Eric was a lifelong fan of westerns and I always loved watching Hugh O'Brian as Wyatt Earp on early evening telly with him.  It was many years later that I saw the Kevin Costner version of Wyatt, and read the Casey Terfertiller biography.  I began to perceive that my Father had been the kind of 'deliberate man'  that Kevin Costner script talks about and I wrote this song, about Wyatt - but very much with my Dad in mind.   
 
Once when I was a kid, I came down to breakfast and on the table were some forensic photographs just lying about - this guy had had half his face removed in a fight with someone  wielding a nail file with expert viciousness.
 
Someone told me later at school that such was my dad's reputation, that the miscreant had surrendered without a struggle.
 
I wrote this song when he was in his 80's - I don't think he understood what I was trying to say - the compliment I was trying to pay on the sleeve note sof the album.
 
However the Wyatt Earp fans did like it and it gets played at The Tombstone Western Film Festival.  Its on the official Wyatt Earp webpage, and my proudest moment came when the curators of Wyatt Earp's birthplace in Monmouth, Illinois played the song on Wyatt's birthday! 
 
I ought also to mention the work on David Forbes who got me to perservere with this track, who wrote all the midi parts , and ruthlessly edited the song down to manageable proportions.
 
 

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